The Cranes Are Flying (1957) – A Soviet Cinematic Masterpiece
Title: The Cranes Are Flying
Director: Mikhail Kalatozov
Release Date: October 12, 1957
Genre: Drama, War, Romance
Streaming Services: Available on Criterion Channel and for rent or purchase on Amazon Prime Video, iTunes, and Google Play.
Synopsis
“The Cranes Are Flying” is a Soviet war drama directed by Mikhail Kalatozov, renowned for its emotional depth and stunning cinematography. The film follows the tragic love story of Veronika (Tatiana Samoilova) and Boris (Aleksey Batalov) set against the backdrop of World War II. As Boris volunteers for the front, Veronika is left behind to navigate the devastating effects of war on the home front. The story captures their separation, the trials Veronika endures, and the profound impact of war on individuals and relationships.
Review
“The Cranes Are Flying” is a poignant and visually striking film that explores themes of love, loss, and resilience. Mikhail Kalatozov’s direction, combined with Sergei Urusevsky’s innovative cinematography, creates a powerful cinematic experience that remains impactful decades after its release.
Tatiana Samoilova delivers an unforgettable performance as Veronika. Her portrayal of a woman grappling with the grief and chaos brought by war is both nuanced and deeply moving. Samoilova’s expressive face and emotional depth bring Veronika’s struggles and enduring hope to life, making her journey profoundly relatable and heart-wrenching.
Aleksey Batalov, as Boris, brings warmth and sincerity to his role. His character’s idealism and bravery highlight the personal sacrifices made during wartime. The chemistry between Batalov and Samoilova adds a layer of authenticity to their doomed romance, making their separation all the more tragic.
The film is particularly noted for its remarkable cinematography by Sergei Urusevsky. His use of handheld cameras, fluid tracking shots, and innovative angles creates a dynamic and immersive visual style. The famous scene where Veronika runs through a bombed-out city while the camera follows her in a continuous take is a testament to Urusevsky’s skill and the film’s emotional intensity.
Kalatozov’s direction emphasizes the human cost of war, focusing on the internal and external battles faced by those left behind. The narrative is tightly woven, balancing moments of personal anguish with broader social commentary. The use of symbolism, particularly the cranes as a metaphor for hope and renewal, adds depth to the storytelling.
Dmitri Shostakovich’s musical score further enhances the film’s emotional resonance. The music underscores the poignant and dramatic moments, adding to the overall impact of the film.
Criticisms
While “The Cranes Are Flying” is widely acclaimed, some viewers might find its melodramatic elements somewhat exaggerated. Additionally, the film’s pacing may seem slow to modern audiences accustomed to faster narratives. However, these aspects do not detract significantly from the overall power and artistry of the film.
Conclusion
“The Cranes Are Flying” is a landmark in Soviet cinema, celebrated for its artistic achievements and emotional depth. It offers a compelling portrayal of the human side of war, focusing on love, loss, and the enduring human spirit. The film’s innovative cinematography, powerful performances, and evocative score make it a must-watch for enthusiasts of classic and international cinema.
For those interested in experiencing this cinematic masterpiece, “The Cranes Are Flying” is available for streaming on the Criterion Channel and can be rented or purchased on Amazon Prime Video, iTunes, and Google Play.
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